During the lovely Madelyn Simone’s recent visit to Pop-Pop’s
house, we dusted off the VCR and watched Mary Poppins, a Disney film released
fifty years ago. I can’t remember if I first saw the movie at the Star Theatre
in Tonawanda, NY, or across the bridge at the Riviera Theatre, but whatever the
venue, I was definitely charmed by the adventures of Mary, Bert, Jane and
Michael.
It was quite the movie in its time, bringing five Academy
Awards to the Disney studio. The profits from the film allowed Walt Disney to
purchase 27,500 acres of land in central Florida, changing family vacations
forever. Be sure to say thank you to the perfect nanny the next time you pass
through the gates of the Magic Kingdom.
My fondest memory of Mary Poppins is from the piano in my
childhood home, as I played the songs from the film over and over again. As I
think about those days, my fingers are itching to trade the computer keyboard
for the eighty-eight keys of the piano. I wonder what my sleeping household
would think of “Step in Time” as a morning wake-up call?
Fifty years later, the words sprang easily to my lips as Jane
and Michael clung to the string of their kite in “Let’s Go Fly a Kite,” happily
swallowed their medicine with “Just a Spoonful of Sugar,” and nodded off to sleep
in “Stay Awake.” I brushed aside a tear as Julie Andrews sang “Feed the Birds,”
my favorite from that tattered volume of Mary Poppins songs, and chuckled along
with Uncle Albert in “I Love to Laugh.” Yet I was especially struck by “Sister
Suffragette,” led quite enthusiastically by Mrs. Banks, the mother of the
household.
Apparently, her role as a suffragette was an addition to the
movie version to explain why Mrs. Banks did not have time to take care of her
own children. It’s played rather comically, but one line in particular stands
out: “Our daughters’ daughters will adore us, as they sing in grateful chorus,
well done, sister suffragettes.” At age four, Madelyn has no idea what Mrs.
Banks is talking about, but it has been less than one hundred years since the
nineteenth amendment to the constitution was passed, giving women the vote
across the United States. It was the women suffragettes, with their protests,
their parades, and even their hunger strikes, who changed our world.
I didn’t know much about the suffragettes until I stumbled
across Katja von Garnier’s film, “Iron Jawed Angels.” Her depiction of suffragette
leaders Alice Paul and Lucy Burns was in stark contrast to Winifred Banks
marching through the halls of Seventeen Cherry Tree Lane. Yet Mrs. Banks’
suffragette actions nudged me to remember that there was a time, not all that
long ago, when gender disqualified half of our country’s citizens from voting.
Watching 12 Years a Slave, I had a similar nudge. It wasn’t
all that long ago that slavery was legal in the United States. It was the
nineteenth century abolitionists who pushed hard for slavery to be eliminated, often
at great risk to themselves and their families. Even after the Emancipation
Proclamation was issued by Abraham Lincoln on January 1, 1863, it took one
hundred more years for the passage of the Civil Rights Act 1964, and the
continued lifting of voices has allowed our children to see race through
colorless lenses.
“Well done, sister suffragettes.” Well done, abolitionists,
civil rights workers. Your voice made a difference. Yet new voices are being
called forth in our day. Voices that speak to the scourge of modern day slavery,
the plight of kidnapped young women in Chibok, Nigeria, and sexual trafficking.
Voices that call for immigration reform. Voices that speak of global warming.
These voices are our century’s suffragettes and abolitionists.
Tucked away in a fifty-year-old children’s movie when I
least expected them were these compelling reminders. There is a time for
kite-flying, a time to feed the birds on the steps of the cathedral, and a time
to lift our voices to transform the world our daughters’ daughters (and sons) will
inherit from us. Thanks, Mary Poppins. It was good to see you again.
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