On the third Thursday evening of
each month, people gather at the Ashland Kroc Center to explore and celebrate
the written word. In this writer’s group, we study the various tools of the
trade, use writing prompts to practice our skills, and applaud the small
successes of our members as our words find a home on the pages of newspapers,
magazines and books.
From time to time, we speak of an
author whose writing has been influential, or of a book that’s especially
meaningful to us. Retired pastor Tom Snyder recently suggested a small volume available
from the Ashland Public Library, “A Lowcountry Heart: Reflections on a Writing
Life” by Pat Conroy, and what a gem it has proven to be. I’ve been a Conroy fan
for years, first discovering the passion of the southern novelist in “Beach
Music,” jotting down these words that resonated deeply: “For without music,
life is a journey through a desert that has not ever heard the rumor of God.”
As I often have over the years, I then sought out the author’s other works, reading
through the rest of his novels, including “The Great Santini,” “The Water is
Deep,” and “The Prince of Tides.”
Now, more than fifteen years after
my binge-reading of Conroy’s novels, I was meeting up with Pat Conroy again, this
time through his words as assembled by his widow, Cassandra King. As I read
through the collected blog posts, essays and speeches, I was welcomed into the
world of author book tours “when I’ll be running my mouth and signing my books
until I’m mercifully released to return to my writing desk,” and of “the first
itch of the novel I’m supposed to write.”
I was pleased to discover that
since my early acquaintance with Conroy’s work, he’d written another novel,
“South of Broad,” which I checked out of the library on Monday. Opening its pages
on Tuesday, I started to read. With a column deadline looming and a garden
begging to be weeded, I kept reading. With a twinge of guilt, I read on,
rationalizing my inability to put the book down by convincing myself that part
of the work of a writer is to read. I turned the last of the 512 pages on
Wednesday evening.
Reaching the end of my marathon
read, I was sad to bid farewell to the carefully crafted characters who infuse
Conroy’s writing. Leo King and his high school friends, including the twins and
the orphans, had “grabbed me by the collar,” and I sensed what Conroy explained
in his essay, “Why I Write”: “Few things linger longer or become more
indwelling than that feeling of both completion and emptiness when a great book
ends.”
What is it about the world of story
that keeps my bedside light on until 3 a.m.? Here’s how Conroy explains it:
“Writers of the world, if you’ve got a story, I want to hear it. My soul will
dance with pleasure, and it’ll change the quality of all my waking hours. You
will hearten me and brace me up for the hard days . . . I reach for a story to
save my own life. Always. It clears the way for me and makes me resistant to
all the false promises signified by the ring of power. In every great story, I
encounter a head-on collision with self and imagination.”
In Tolkien’s Middle Earth, J.K. Rowling’s
Hogwarts School of Witchcraft and Wizardry, John Grisham’s Camino Island,
Louise Penny’s Three Pines, or Conroy’s beloved city of Charleston, we’re led
to new neighborhoods and new companions who will remain with us for many years
to come. Even if no travel is on our horizon, as Dr. Seuss explains, “The more
that you read, the more things you will know. The more that you learn, the more
places you’ll go.”
Jeannette Walls tells us, “One
benefit of summer was that each day we had more light to read by.” I plan to
take advantage of the extra light, the backyard hammock, and the lure of story
in the summer of 2017, and I hope you’ll join me in a “head-on collision with
self and imagination.” Happy reading!